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Batman: The Dark Knight Returns
Price: $10.19
Description
If any comic has a claim to have truly reinvigorated the genre, then The Dark Knight Returns by Frank Miller--known also for his excellent Sin City series and his superb rendering of the blind superhero Daredevil--is probably the top contender. Batman represented all that was wrong in comics and Miller set himself a tough task taking on the camp crusader and turning this laughable, innocuous children's cartoon character into a hero for our times. The great Alan Moore (V for Vendetta, Swamp Thing, the arguably peerless Watchmen) argued that only someone of Miller's stature could have done this. Batman is a character known well beyond the confines of the comic world (as are his retinue) and so reinventing him, while keeping his limiting core essentials intact, was a huge task.Miller went far beyond the call of duty. The Dark Knight is a success on every level. Firstly it does keep the core elements of the Batman myth intact, with Robin, Alfred the butler, Commissioner Gordon, and the old roster of villains, present yet brilliantly subverted. Secondly the artwork is fantastic--detailed, sometimes claustrophobic, psychotic. Lastly it's a great story: Gotham City is a hell on earth, street gangs roam but there are no heroes. Decay is ubiquitous. Where is a hero to save Gotham? It is 10 years since the last recorded sighting of the Batman. And things have got worse than ever. Bruce Wayne is close to being a broken man but something is keeping him sane: the need to see change and the belief that he can orchestrate some of that change. Batman is back. The Dark Knight has returned. Awesome. --Mark Thwaite
Description
If any comic has a claim to have truly reinvigorated the genre, then The Dark Knight Returns by Frank Miller--known also for his excellent Sin City series and his superb rendering of the blind superhero Daredevil--is probably the top contender. Batman represented all that was wrong in comics and Miller set himself a tough task taking on the camp crusader and turning this laughable, innocuous children's cartoon character into a hero for our times. The great Alan Moore (V for Vendetta, Swamp Thing, the arguably peerless Watchmen) argued that only someone of Miller's stature could have done this. Batman is a character known well beyond the confines of the comic world (as are his retinue) and so reinventing him, while keeping his limiting core essentials intact, was a huge task.Miller went far beyond the call of duty. The Dark Knight is a success on every level. Firstly it does keep the core elements of the Batman myth intact, with Robin, Alfred the butler, Commissioner Gordon, and the old roster of villains, present yet brilliantly subverted. Secondly the artwork is fantastic--detailed, sometimes claustrophobic, psychotic. Lastly it's a great story: Gotham City is a hell on earth, street gangs roam but there are no heroes. Decay is ubiquitous. Where is a hero to save Gotham? It is 10 years since the last recorded sighting of the Batman. And things have got worse than ever. Bruce Wayne is close to being a broken man but something is keeping him sane: the need to see change and the belief that he can orchestrate some of that change. Batman is back. The Dark Knight has returned. Awesome. --Mark Thwaite
A flawed classic
Date: 2008-11-16 Rating: 6 out of 10
The Dark Knight Returns is a classic piece of comic book literature that helped transition Batman from the campy character he had been turned into back to the grim and gritty protector of the streets that he was meant to be. The story depicts a Gotham City that has been without Batman for years, since Bruce Wayne has gotten old and finally put away the cape and cowl. However, a series of crime waves in the city drives Batman to return despite his age, taking on a world that has become more violent and deranged than anything he faced in his younger days.
The Dark Knight Returns deserves some major recognition for the way it renewed the character of Batman. Years later, many writers are still basing their Batman stories on the themes that Frank Miller re-introduced. Unfortunately, the story also suffers from an immense shortcoming in Miller's writing repertoire -- namely, the ability to make characters seem human.
Batman is an antihero who goes against the law if needed to make sure that justice prevails. He is anything but the square-jawed paragon of perfection that Superman is. At the same time, he is supposed to be a thinking, feeling person who has a greater view of the world than his war on crime. That is unfortunately not the case with Miller's Batman. This Batman seems to have no empathy for other human beings, viewing them as nothing more than soldiers in his war on crime. He offhandedly ignores the fact that Robin died in his crusade, referring to him only as a "good soldier." And he seems willing to place anyone in the path of danger if it means winning a victory against the criminals he is fighting. Quite simply, Frank Miller takes the "man" out of Batman -- he takes away the human element of the character, leaving very little reason for the reader to care about what happens to him rather than viewing him as a psychopath who just happens to solve some crimes.
The Dark Knight Returns is a key piece of Batman history, and Frank Miller's art style and narrative tells an innovative and dark tale that helped breathe new life into the character. Unfortunately, as Frank Miller often does, he ignores the human element of the character, assuming that the reader will side with Batman simple because he is Batman. Because of this failing, I can only give The Dark Knight Returns three stars. It is a solid story, but one that lacks a true hero to follow.
BewertungenOne of the best Batman stories Datum 2008-11-10 Rang: 10 von 10Well, the title sums up my opinion on The Dark Knight Returns, though it certainly isn't the best-rounded Batman story of all time, it still leaves a significant impact on readers. The story peaks at many points, and makes large dips at others, but the ending makes up for all its minor flaws.
"One of the best Batman stories", let me explain what exactly I mean by this: This is one of the best stories to flesh out the character of Bruce Wayne and his alter-ego Batman. What keeps me from ranking it higher than a nine is because on the whole most of Frank Miller's revisions of the villains fail to hit the mark (which is why you don't see his versions of Two-Face and Joker in most other comics), but he does provide interesting villains of his own; a gang of misfits referring to themselves as the Mutants, led by a large, unsightly individual who earns the title of Mutant with a capital M.
I think it is important to discuss the villains in this story first. Joker is a carefree killer, who will kill simply for his own amusement, with no morals to restrain him, and Miller shows this aspect of the character very well. The problem that I have is that this Joker never really frightened me, you know, he just never did anything that really made my blood boil (like in Alan Moore's The Killing Joke). This book does have some classic moments for the character, but ultimately this Joker interpretation seems to be a giant symbol for homophobia, and ultimately is quite forgettable when compared to the villain's colorful history. Frank Miller has stated finding the relationship between Batman and Joker being homosexuality gone wrong, but I feel writing off the character as being gay really has missed the actual complexity of the character's relationship to Batman. I feel this hero-villain relationship has a lot more to do with their mentality than their sexuality, and that is where I feel Miller seemed to miss the point of the character. I also do not like the way this Joker is drawn in this comic. There is a difference between revisions and simply changing it entirely, and this Joker does not fit the description, or standard of any of the previous comics, up until his final appearance in this story (his face finally twists into his trademarked smile, mouth growing unnaturally large in one of the book's most haunting images). As previously stated, however, some of the things Miller introduces are important to the future of Joker interpretations, and were in true spirit of the character.
Two-Face also seemed a bit off, but not so much as Joker. Miller's Two-Face comes across as plain evil. He's a villain, but he does have a good half to his personality, and Miller doesn't show any of the struggles between the two halves, which simplify the character immensely. This interpretation just seemed a tad bit simplified, but the relationship between him and Batman, I must admit, was perfectly in context. The way Batman cared about Harvey Dent seemed dead on, and I wish more of Dent's struggle between the dual personalities was present to further impact the story.
By the end Miller only succeeded completely (100% Pleasing) with villains of his own making, and that's good since he had no standards to meet with those characters. This army of misfits was an interesting idea, full of mystery and frightening ideology, which I wish we could've been given more of. I don't know HOW exactly these characters came to be, and maybe it would be interesting if Miller would have another comic explaining how this massive gang was formed in the first place, because it would seem most of the teenage/young-adult population is in on it. The concept of so many people of that age group slipping into the ways of the "ol' ultra-violence" seems very interesting on paper, and transfers well to the panels of the comic, never overstaying their welcome. I think it could've been great if this comic had concentrated harder on how new villains have emerged in Gotham, and that Batman has to adapt to a new class of evildoer.
I found this story at its strongest when dealing with Bruce Wayne's inner struggle, on whether or not he should continue being Batman, or throw in the towel. The relationship between him and Superman in this story is also very interesting, because of the fact that The Man of Steel has pretty much become a tool of the United States Government. The "Good guys" in the story actually draw a lot more attention than the villains, and in the world of Batman that is incredibly rare. This is the only story, in my opinion, where Joker or some other villain doesn't steal the show from The Caped Crusader. Familiar faces like Commissioner Gordon return, as well as Alfred, and we're even given a new Robin. Ultimatly this is the ONLY Batman comic where the heroes were more engaging then the villains.
Miller handled this dark hero and his allies with great intensity, and handled to story with the skill of a true storyteller. It is good to see that Batman was handled the best in a Batman comic for once in his long career. The Dark Knight is the central character of this novel all the way through, and keeps your attention; no other Batman comic made me feel like Batman carried the story all by himself. Typically the villains are the ones making the story worth reading, but that simply isn't the case in The Dark Knight Returns. The new Robin seemed unnecessary to the plot; for me she seemed a tad bit useless to the plot, but overall she didn't distract from the story at all.
This story deserves its recognition as an important Batman story, because we'd never have made way for stories such as `The Killing Joke' (perhaps the best story in the Batman series), Arkham Asylum Serious House on Serious Earth (the most philosophical of Batman graphic novels), and of course Christopher Nolan's outstandingly well-done franchise without Miller paving the way for better, mature Batman comics and movies. All fans of the franchise most salute Miller for helping this dark, and gritty series get back on track, because he has made so many great comics possible by doing so.
It is dated due to Cold War connections, but as a comic it holds up fairly well, and anyone who enjoys the Batman comics will no doubt love the interpretation of what the future holds for the character. I felt its balance with Batman and his villains were somewhat off (hence why it narrowly misses a perfect score), but other than that this is one of the best comics I've read in the series, even if the "Bat-Assault Vehicle" was obviously something spawned from the 1980s action movie. Overall it is well-paced and unforgettable as a landmark comic.
I give The Dark Knight Returns a splendid 9/10 stars.
Changing the face of BatmanDatum 2008-10-30 Rang: 8 von 10My english teacher made us read this book for my English Composition class. In order to prepare us us for it he went over some of the history of batman and how the character evolved over time. Many people these days think of batman as the character from the Tim Burton or Christopher Nolan movies. It is important to realize that those would most likely not have happened had Frank Miller not taken the batman character and rewritten him as the dark knight. If you have seen the batman movie made in the sixties you would understand how much of a joke he was to people. Frank Miller turned batman back into the serious superhero that he was meant to be.
As for the comic itself, it is by far one of the best. It is very well drawn and colored to reflect the batman's title of the Dark Knight. There are times when the story has holes however and things are unclear or not fully explained. The best part of the comic is the tone. Frank Miller did an excellent job portraying the feeling of darkness and fear that batman begins to represent.
I definitely recommend this to people that enjoy comics or anyone that likes batman.I wasted $11 on this?Datum 2008-10-28 Rang: 4 von 10This is a reminder that if enough people are told something's great & revolutionary, the masses will believe it. This was a flat, extremely flawed, unfocused mess that somehow resulted in a revived Batman that ended up way better than this crap.
Everything the bad reviews say is true. This is the most over-rated comic collection EVER. For some reason, every so often, people mistake dark & gritty with depressing & dull which is what this is. The characters themselves reflect that temperment. Batman, Two-Face & The Joker were lifeless, subverted shells of themselves with no personality to speak of. The female Robin has so many things wrong with her that it's laughable. There's no explanation of why someone carried on the mantle of Robin & not Batman, how or why she became the icon and worse yet, unlike Dick & Tim, she doesn't seem to be of any use at all. Add in the fact that Wayne accepted her help in the flimsiest of ways & you've got a real headscratcher.
The main battles facing Batman weren't any better. The mutants as another reviewer said were completely incomprehensible. I didn't understand their slang at all. His final battle with The Joker was far from epic or satisfactory & how anyone could take Superman seriously after his weak & gutless stance here is beyond me. Other frustrating things included conversations being stopped for others then started then stopped again and things going down with no explanation why or how.FantasticDatum 2008-10-24 Rang: 10 von 10One of the best graphic novels ever written. I've read it several times over the last 10 years.
Produkt InformationAutor:
Frank Miller
Creators:
Lynn Varley (Colorist)
Klaus Janson (Illustrator)
Recording label: DC Comics Hersteller: DC ComicsEAN: 9781563893421Format: PaperbackDewey decimal number: 741.5973ISBN: 1563893428Artikelzahl: 1Seitenzahl: 224Erscheinungsdatum: 1997-05-01Erscheinungdatum: 1997-05-01Sprache: English (Original Language)
Sprache: English (Unknown)
Sprache: English (Published)
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